How exactly have the writers we have featured over the years telling stories from within their communities. What exactly does that mean?
We use Tarana Peaches’ “Teacher Problems” as an example…
About the play
It’s 1932 in Birmingham, Alabama at the Pratt Coal mining prison, Slope No. 12. Cheeks and Odin Dean are prisoners and Ezekiel finds bones. Maybell and Vivie Eillien are prostitutes, and Green Cottenham’s spirit comes calling. In the American South, there had to be a system created to control the newly freed black population and convict labor became that solution. This here be the Pratt Coal mines, where black men are picked up for any minimum charge like spitting, talking loud in the presence of a white woman, gambling, or just “being”. In 1932, black prison labor is free, hard, and easy. They are simply slaves given a different name.
Have Pages? Monday’s Community is for you – Playwrights – Bring 10 pages of new work / work you want to hear and Actors, bring yourselves for the opportunity to cold read new work! Monday, May 23, 2016 7:30pm @nancy manocherian’s the cell! (338 W. 23rd Street b/t 8th and 9th Avenues) $10 Suggested and …
We are pleased to feature James Anthony Tyler’s “Dolphins and Sharks” for a 2nd time!
HAPPY BLACK HISTORY MONTH! Something feels different this year about Black History Month – namely #oscarssowhite… If one can call it a movement, then maybe we are in the midst of real change. Spike Lee wants us, black creators, “In the room where it happens” as the Hamilton Lyrics go. Nevertheless, Blackboard has two events …
Are you a fit? Submit your resume – we’d love to meet you!
SUICIDAL MOMENTS by Turron Kofi Alleyne Monday, December 14, 2015 7:30pm RSVP: [email protected] ~wine and refreshments served~ $10 Suggested Donation ABOUT THE PLAY “Suicidal Moments” is a story about Barry Douglass who was deeply stricken the moment his mother was killed and his father was paralyzed in a car accident. Despite this hardship; Barry’s older …
Vengeance and greed blind the citizens of Hood:14542, during a harsh awakening of the gentrification epidemic.
Yellow Man faces infamy as he returns to rehabilitate the hood. While his equally stubborn brother and other neighborhood dwellers are determined to save it.
Race, ego, lust, and blood rule this play in an impassioned debate of community and opportunity.
ABOUT THE PLAY In How to Eat an Oreo, two teen summer camps sit a stone’s throw apart. Fatima has fled the gay-to-straight conversion center, and is hiding out in Gideon’s room at weight loss camp. While Fatima awaits the sunset to make her official escape to Wal-Mart, her and Gideon navigate around one another, …