James Anthony Tyler’s “Some Old Black Man”, which was a Blackboard feature in August of 2012, is up at 59E59! We are so proud of James and hope that you support his work.
In February, we told you about two former Blackboard Features who were part of the Cherry Lane Mentor Project.
Well… ESAI’S TABLE is here!
In April the cell will be ringing in it’s second annual C.M.O.R.E. Festival dedicated to Creating More Opportunity for Racial Equity among playwrights, directors, and actors. This year’s festival will present readings of two new plays and a workshop production of The Year of the Bicycle (Performances starting April 13th).
This Throwback Thursday, we’d like to highlight Nathan Yungerberg and Jocelyn Bioh, current 2017 Cherry Lane Mentor Project Playwrights with a little time-travel to September 2012.
Support James! We are pleased to announce that James Anthony Tyler’s “Dolphins and Sharks” begins a production this month. It is being produced by Labyrinth Theater Company and will run from February 9 – March 19th.
Our former home: the cell Under the direction of Founding Artistic Director, Nancy Manocherian and Artistic Director, Kira Simring, Blackboard called the cell home for a little over 10 years. Since 2008, Blackboard was a resident series with Blackboard every 2nd Monday of the Month. Developed and incubated in this space, Blackboard would not be …
Our first “Man Crush” or “Man Candy” is none other than playwright, Aurin Squire!
Our Women Crushes of the Week are Nikkole Salter and Danai Gurira! Here’s a story In 2005, my senior year of college, I had the pleasure of meeting Nikkole Salter and Danai Gurira during my spring break trip to New York City. I came to see “In the Continuum“, their multi-award winning play, stayed for …
Almeria and I were honored to be asked by Alexis Clements (Women in Theatre co-editor) to interview Karen Evans of Black Women’s Playwright’s Group in Washington, D.C.
WIT (Women in Theatre) is an annual magazine published by The League of Professional Theatre Women, who has partnered with Howlround for pieces highlighting women’s voices in Theatre.
Ms. Evans has really done some amazing things with her organization. There’s not much more to say, because it’s all in the interview! Read it here!
I met Nikkole in 2005 during her run with Danai Gurira of “In the Continuum” at the Perry Street Theater.
When you’ve stayed in contact with an artist like Nikkole in this city, I think that means something.